Do you think im Palatable?

Saturday, September 15, 2007

Plating Tips and Techniques





Plating Tips and Techniques
By Francis Albert Pineda

If the old adage "you eat with your eyes" is true, then the manner in which we present food is of paramount importance. There are many factors and techniques to consider in food plating that affect the overall customer experience. Using any one of them alone can enhance your food. But using them all can set you apart from your competition.


When plating food attractively, it's important to remember the actual plate is critical to the final presentation. Choose your plates carefully, and remember, the plate is the frame of the presentation. Today, there are many sizes, shapes, colors and patterns available. If the plate is too gaudy, it will take away from the food. Choosing the correct size of plate is also important. While food should not be crowded onto the plate, it should convey that the portion is adequate and not stingy. Most chefs now use solid white plates to better showcase the food. Some texture may be embossed on the plate to add visual interest. Also, specialty plates may be used for very specific dishes.


Always consider color as an important part of plate presentation. For example, white fish with a cream sauce served with boiled potato and steamed cauliflower may have a very good flavor. However,
When presented on a white plate, it will seem very monotonous and plain. And that will translate into how the customer perceives the food. Always try to have a variety of colors on the plate. People respond to certain colors more favorably than others.

Green is fresh and cool, and can be soothing.
Red is passion and excitement
Black is sophisticated and elegant
Blue is a natural appetite suppressant, since it can make food look unappetizing.

Color is especially important when dealing with vegetables. Here are some tips to keep in mind when plating vegetables:

Blanching and refreshing green vegetables ensures they are fresh and vibrant when served.
Always complement green vegetables with other colored vegetables such as carrots, sweet peppers and beets.
Avoid clustering vegetables and arrange them more naturally around the plate to increase the contrast in color
Use different cuts and shapes of vegetables to add visual interest,




Before you start
Look for fruits and vegetables that are evenly shaped, blemish-free and at the right stage of ripeness. In general, the firmer the fruit or vegetable, the easier it is to work with and the longer the finished garnished will stay fresh and attractive.
Be sure the knives you use are sharp. A sharp knife allows you to make precise cuts because it doesn’t need to be pushed or forced. Sharpen your knives yourself with sharpening steel or have a cutlery store sharpen them for you.

Selecting the right Garnish
Be sure to consider the size of the garnish as well. Team a large garnish with a tray or large platter of food. If the food contains a mixture of ingredients, keep the garnish simple.
Remember, garnish should enhance, not overshadow or hide the food’s beauty and flavor.

Make Garnishes Ahead
When you’re giving a party, you won’t have much time for creating garnishes at the last minute. (Be sure to store the finished garnish properly and add it to the food just before serving.)

Most vegetable garnishes may be made ahead, then. Place in airtight container or wrapped in clear plastic wrap and refrigerated until the next day.
To keep fruit garnishes fresh, wrap them in clear plastic wrap and store them in the refrigerator. When working with apples or other fruits that darken when cut, generously brush the cut surfaces of the fruit with lemon juice before wrapping and refrigerating.
Place garnishes that need to dry or firm up in a cool, dry place for several hours of overnight.
For extra crispiness, let chilled garnishes stay in the ice water an extra hour or two. Or, thoroughly drain the garnishes, then wrap in plastic wrap and refrigerate.

Playing with Texture

Texture is critical to food presentation, as well as enjoyment. Contrasting hard and soft, smooth and coarse, adds visual interest to your food, and it will enhance your customers’ enjoyment of the food. Texture can be achieved by choosing foods with differing characteristics, or it can be done with different cooking methods.

For example, a crisp fried accompaniment to a smooth main will add substantially to the overall dish.

Choosing the Focal Point
When plating a dish, you should decide on a focal point. This does not necessarily have to be the center of the plate. Focus can be achieved by varying the heights of the food. Just remember to have the highest food at the back, and don't have the lowest point at the center. The main item in the dish – usually the protein – should have prominence in the presentation. Don’t plate food in such a way that the customer has to de-construct the food before eating it. Food should be presented in a natural and appealing manner.

Keep Things Tidy

Remember that neatness counts. Even the tastiest food served sloppily will not be well received by your customer. Food should be contained within the rim of the plate, yet it should not be crowded in the center. Take a hard look at the plate and ask yourself if it is pleasing to the eye. Some chefs use the "spill and splatter" technique to decorate plates. This can be effective, yet it must be done with restraint and an eye to the overall presentation. It should not look sloppy and dirty.




Garnish to Impress

Garnishes and decorations can enhance your plate presentation. Choose garnishes that are appropriate to the dish and that echo some of the ingredients. For example, using a rosemary sprig on a dish that does not contain rosemary is inappropriate.

Here are some other techniques to keep in mind when garnishing:
Never decorate a plate with something inedible.
Always make sure the garnish is in keeping with the food and its preparation – for example, a lemon garnish with a broiled or fried fish is appropriate, but it does not belong on a fish in a cream sauce.
Ensure the garnish complements and enhances the dish without being overpowering.
Choose garnishes that are the correct size; they should be easy to eat without having to be moved to the side of the plate.

When choosing your garnishes, remember that they're purpose is
v To add flavor,
v Texture and
v Color to each dish.
v And, above all, remember that the garnish should not be an afterthought.
Don’t get stuck in the rut of using a sprig of parsley and a lemon wedge.

Friday, September 14, 2007

Fruit Curving


Tips on selecting fruits and vegetables for carving
Each kind of fruit and vegetable has its own unique characteristics, so keep these pointers in mind when choosing fruits and vegetables to carve.

Onions and
shallots should be fresh and without wrinkles. Choose either mediumsized or small bulbs that are all of uniform size.

Carrots should be straight and of medium or large-size.

Radishes should be fresh, firm, and round. Use medium-sized radishes, all of uniform size.

Chinese radishes should be straight and of medium-size with clear bright skins. The flesh of large Chinese radishes tends to be mealy.

Cucumbers should be green, straight, and of medium-size. The type called for in this book is the larger type (Tang Ran). If the smaller type (Tang Kwa) is used, those with green skins have firmer flesh and are better for carving than those with greenish white skins.

Tomatoes should be of uniform size. Plum tomatoes, with elongated fruits, are firmer than round varieties. Choose fresh ones with no wrinkles.

Pumpkins should have thick, firm flesh.Such pumpkins have a rough exterior.

Spur chillies should be fresh and have firm skins. Generally small ones are used, because if large ones were cut and spread out to make a blossom, they would cover the entire plate. However, large spur chilies are used for making anthurium flowers.

Spring shallots and
leek should be fresh and green with no yellowing on the leaves. Select thick, medium-sized plants.

Cabbage and Chinese cabbage should be fresh with firm, heavy heads. Use medium sized heads.

Lemons should be very fresh.

Taro should be of medium-size. The fragrant taro (Pheuak Hawm) has fine-textured flesh.

Cantaloupes should be those that are not yet fully ripe. The skin should be pale yellow without wrinkles or scratches.

Yam bean tubers used for carving should not be too large. Large, mature tubers have a lot of fibers. These become frayed in carving, detracting from the appearance of the finished work.

Papayas should be straight, thick-fleshed and without any bruises. They should not yet be fully ripe so that the flesh is firm and does not bruise easily. The Khaek Dam variety is recommended be cause of thebeautifully colored flesh.

Green
mangoes should be fully mature and of a variety whose flesh is not too crisp. The skin should be green and un-wrinkled and the stem should look fresh.

Watermelon should have red flesh and green rinds with no bruises or wrinkles.

Pineapple should have large eyes. The leaves should be fresh and green and there should be no shrivelling of the skin or stem.

Guavas should be those that are just becoming ripe. The skin should be a fresh light green skins and there should be no bruises or scratches.

Apples should be fresh with glossy, brightly colored skins and no bruises.

Jujubes should have straight fruits with green skins and no bruises.

Sapodillas must be firm, so avoid fully ripe fruits. The skins should be even and clear. Avoid sapodillas that have been dyed for the market. Their skins have a dusty appearance.
<>lime juice and water to prevent browning.
2. Shallots and onions should be soaked in water before being peeled and carved to reduce irritation of the eyes.3. Taro should be washed thoroughly before being peeled. If washed after peeling, a slime is released which causes itching.4. Carrots should not be soaked in water before carving as this will make the flesh tougher and more difficult to carve.5. Beets should be washed in water to which a little
salt has been added. This will reduce loss of color. Also, if left standing, beets will blacken, so they should be kept moist by spraying them with water regularly.6. Potatoes should be washed with water after peeling to remove the sap and then washed again after carving. This will help prevent browning.7. Apples should be soaked in mixture of lime juice and water before being peeled to prevent browning.8. Cantaloupes should be washed before carving. While carving, avoid letting water come into contact with the fruit because it will lose its taste and spoil more quickly.9. Yam bean tubers should be soaked too long after carving, will yellow.
Storing carved fruits and vegetables
1. After carving, fruits and vegetables should be placed in ice cold water so the petals of flower designs are firm and spread beautifully.
2. Carved fruits and vegetables should not be left in water as this will cause petals to become discolored and to spoil.3. Each type of carved fruit should be kept separately. This will prevent loss of all your work in the event that one type spoils.4. Store carved fruits and vegetables by putting them in containers and placing in a refrigerator, or if no refrigerator is available, by covering them with a damp piece of thin white cloth and putting them in a place protected from drafts so they do not dry and wilt.5. After carving, pumpkin should be dipped in water and removed right away. If left in water, flower petal designs will become bruised.

Shroud of turin @ Mall of Asia


the ever controversial shroud of tourin is finally here in Manila! it is the first time in asia, the shroud can be seen @ the SM Mall of Asia until December 9 ,2007


Where Are the Images?
List of Shroud of TurinFacts and Fiction
Some of the cellulose fibers that when twisted together make up the threads of the Shroud's cloth are coated with a thin carbohydrate layer of starch fractions and various sugars. This chemical layer, which is about as thick as the transparent scratch-resistant coatings used for eye glasses, is essentially colorless and is found only on the outermost fibers near the surface. In some places, the layer has undergone a chemical change that appears straw-yellow. This chemical change is similar to the change that takes place when sugar is heated to make caramel or when proteins react with sugar giving beer its color. And it is the straw-yellow, selectively present in some parts of the carbohydrate layer, that makes up the image we see on the Shroud. When scientists speak of image fibers they are referring to the coating on lengths of fiber that have undergone this chemical change.
Ray Rogers (see curriculum vitae summary below) responds to the question: "How do you know that the flax fibers were not involved in image formation?"
Prof. Alan Adler of Western Connecticut University found that the image color could be reduced with a diimide reagent, leaving colorless, undamaged linen fibers behind. This confirmed spectral data that indicated that the image color was a result of complex conjugated double bonds; however, it proved that image color was found only on the outer surfaces of colored image fibers. Until this time, we had assumed that the image color was a result of chemical changes in the cellulose of the linen. The most likely change would involve the dehydration of the cellulose to produce conjugated-double-bond systems Adler's observations proved that the cellulose was not involved in image formation. This is an extremely important observation.
This fact was confirmed by the observation that the image color on some fibers had been stripped off of their surfaces by the adhesive of the sampling tapes. The photomicrograph shows the places where two fibers were pulled out of the adhesive leaving their colored coating behind. The coating is too thin to measure accurately with a standard microscope; however, it appears to be 200-600 nanometers thick (in the range of a wavelength of visible light).
The bands of color and the fact that all of the image color appears only on the outer surfaces of the fibers, suggested that image formation involved a thin layer of impurities. Because the cellulose was not colored, the impurities had to be significantly less stable than cellulose.
This also suggested that the impurities were the result of cloth-production methods, and they should appear on all parts of the cloth. A search for carbohydrate impurities on the Shroud confirmed McCrone's detection of some starch fractions. Starch and low-molecular-weight carbohydrates from crude starch would color much more easily than would cellulose as a result of either thermal dehydration or chemical reactions.
Any image-formation mechanism that would result in color formation inside the linen fibers must be rejected. Some "theories" that have been mentioned that would cause coloration inside fibers are penetrating radiation, high temperature scorching (hot statue, painting with a torch, etc.), and catalyzed dehydration of the cellulose. Image fibers are colored only on their surfaces.

UE Sweet Sweep


Im not a Basketball fan but for the UE Basketball man teams Kudos! for a great play for this season!
GOODLUCK sa Finals!

More than the usual Tables



Table setting
Table setting refers to the way to set a table with tableware—such as eating utensils and dishware—for serving and eating. The arrangement for a single diner is called a place setting. Informal settings generally have fewer utensils and dishes but use a stereotyped layout based on more formal settings.
The arrangement varies across various cultures.
Table setting
The table usually has a centerpiece that performs a solely decorative function. If a formal dinner is being served that will fill the available places at the table, care should be taken to not make the centerpiece too large so that there will be sufficient room to place serving dishes, if the dinner is served family style, that is, that serving dishes are passed from diner to diner. In some cases it may be desirable for the host to move from place to place and serve, especially if children (who might have difficulty handling heavy or hot servings) are present.
Place setting
Utensils are arranged in the order and the way a person will use them. Usually in Western culture, that means that the forks, bread plate, spreader, and napkin are to the left, while knives, spoons, drinkware, cups, and saucers are to the right.
Utensils on the outermost position are used first (for example, a salad fork and a soup spoon, then dinner fork and dinner knife). The blade of the knife must face toward the plate.
The glass is positioned about an inch from the fork. Cup and saucer are placed on the right side of the spoon about four inches from the edge of the table.
Dessert fork and spoon can be set above the plate, fork pointing right, to match the other forks, spoon pointing left.
Handy mnemonics and rhymes provide methods for remembering a simple placesetting:
"Fork, Moon, Knife, Spoon" (where "moon" is the dinner plate) specifies the left-to-right order.
Hold your hands in front of you and make a circle with your thumb and forefinger of each hand, extending the rest of the fingers straight out. On your left you've made a lower case "b": That's the breadplate. On your right you've made a lowercase "d": That is the drink.









-Flower Arrangement-


Floristry or flower arranging is the art of creating bouquets and compositions from flowers, foliages, herbs, ornamental grasses and other botanical materials into floral designs; often the terms "floral design" and "floristry" are considered synonymous. A person who designs flower arrangements is known as a florist.
A notable example is ikebana. The latter term actually became an informal synonym for this type of art, nevertheless many nations have their own distinctive traditions of flower arrangement. Ikebana represents the Oriental style of floral design, which features simplicity and purity of lines and colors. In contrast, European style features mass and color richness and variety.
Floristry is most often understood as referring to the cultivation of flowers as well as their arrangement, rather than to the business of selling them. However, the floral industry is the basic drive behind floristry. Florists are people who work with flowers, generally at the retail level. Florist shops, along with telephone sales and online stores, are the main flower-only outlets, but supermarkets and garden supply stores have gotten into the business, selling flowers as one of their large range of products.
The World Wide Web has had a significant impact on traditional florists within the North American market; experiencing a more than 20% decline in traditional independently owned flower shops since 1998. Brick and mortar retail arrangement purchases for gift giving are slowly being overtaken by online flower delivery ordering and floral wire services.
Generally, a florist shop will contain a large array of flowers, often spilling out into the street, or will have a large plate glass window to display the flowers. To keep them fresh, the flowers will likely be kept in water, generally in plastic bulbs, sleeves, or other containers.
The craft of floristry involves various skills. These include selecting flowers that will look good together (based on principles of design or general instinct), knowing how to cut, treat, and arrange flowers and other stock plants so they will remain fresh as long as possible, and (as explained above) selling them, which involves knowledge of customer requirements and expectations. Knowing how to form wreaths, bouquets, and other more complicated arrangements is also important. The flowers sold in florist shops typically represent the varieties abundantly available in the season but also include blossoms flown in from around the world. Basic varieties include roses, tulips, irises, and lilies.
Fashion plays a very major role in floristry; what is considered the flower that everyone needs to have today can change very quickly.
The floral market is seasonal and is heavily influenced by the following holidays and events: Christmas, Valentine's Day, Mothers' Day, weddings and funerals. [1] These occasions make up the largest part of the business, with the sale of house plants and home decor being a much smaller, but more constant, part. Flowers for personal enjoyment as well as those selected to celebrate birthdays, anniversaries, thank-you's and to send get well wishes are also a significant portion of a florist's business.
Another basic requirement of florist shops is the purchasing of flowers to replenish their stock. The flower market, like other agriculture markets, is subject to many fluctuations due to natural factors, supply and demand, and fashion. Learning how to buy in such a way as to continue to make a profit is not a simple skill.
Wreaths can be made out of many different types of flowers and plants. Typically, a florist will organize flowers by season and holiday. Most shops branch out into gift baskets, fruit, and chocolates as well as flowers and wreaths.

A name tribute ("MUM") at a funeral in England
Flowers have various different meanings in different cultures. The holidays and events for which flowers are used vary. Poppies are used to remember fallen soldiers only in England and the Commonwealth countries. The cultural meaning of colors also strongly affects the choice and use of flowers. People often prefer flowers that are associated with their ethnic group or country, and various colors may have special meanings of luck or death or love or other basic human traits. A flower such as a red rose might to some mean love, but to others it might be considered indecent or simply puzzling. The vastly divergent views on the color white can lead to major flower issues. White is viewed as standing for death in many Asian cultures but is considered a symbol of purity and innocence in many European and American cultures. Such differences can lead to difficult issues when a bouquet of white lilies, for example, is delivered.
The term is not to be confused with floristics.

Pie to Define


PIEis a baked dish, with a baked shell usually made of pastry that covers or completely contains a filling of meat, fish, vegetables, fruit, cheeses, creams, chocolate, custards, nuts, or other sweet or savoury ingredient. Pies can be either "one-crust," where the filling is placed in a dish and covered with a pastry/potato mash top before baking, or "two-crust," with the filling completely enclosed in the pastry shell. Some pies have only a bottom crust, generally if they have a sweet filling that does not require cooking. These bottom-crust-only pies may be known as tarts or tartlets. One example of a savoury bottom-crust-only pie is a quiche. Tarte Tatin is a one-crust fruit pie that is served upside-down, with the crust underneath.
Blind-baking is used to develop a crust's crispiness, and keep it from becoming soggy under the burden of a very liquid filling. If the crust of the pie requires much more cooking than the chosen filling, it may also be blind-baked before the filling is added and then only briefly cooked or refrigerated.
Pie fillings range in size from tiny bite-size
party pies or small tartlets, to single-serve pies (e.g. cornish pasty) and larger pies baked in a dish and eaten by the slice. The type of pastry used depends on the filling. It may be either a butter-rich flaky or puff pastry, a sturdy shortcrust pastry, or, in the case of savoury pies, a hot water crust pastry. Some pies of British origin, such as shepherd's pie, have a shell or covering constructed of mashed potato.
Occasionally the term pie is used to refer to otherwise unrelated
confections containing a sweet or savoury filling, such as Eskimo pie or moon pie.
Sweet pies are often served with a scoop of ice cream, in a style known as
à la mode. This was popularized by Jordan Jackson.
The
Australian meat pie has an iconic cultural status. Many different types of small commercially-produced pies are a popular form of takeaway food in Australia and New Zealand, with the most widespread brand in Australia being Four'N'Twenty. Many bakeries and specialty stores sell gourmet pies for the most discriminating customer. A peculiarity of Adelaide cuisine is the Pie floater. In New Zealand, the pie is a common part of a workday lunch.
Pies with fillings such as
pork, steak and kidney, minced beef and onion, or chicken and mushroom are popular in the UK as take-away snacks. They are also served with chips as an alternative to fish and chips at British chip shops. The residents of Wigan are so renowned for their preference for this food-stuff that they are often referred to as "Pie Eaters" (though the historical reasons for this title are disputed).
As with
dumplings, many cultures have independently discovered pies as a useful and delicious way to utilize otherwise useless ingredients left over in the household.

What is a Dessert?


Dessert is a course that typically comes at the end of a dinner, usually consisting of sweet food but sometimes of a strongly flavored one, such as some cheeses. The word comes from the Old French desservir, meaning "to clear the table". Dessert is most commonly used in Hiberno-English, American, Canadian English, Australian English and in French. Sweet, pudding or afters would be more typical in other variants of Commonwealth English for this course.
Dessert as a standard part of a
Western meal is a relatively recent development. Before the 19th-century rise of the middle class, and the mechanization of the sugar industry, sweets were a privilege of the aristocracy, or a rare holiday treat. As sugar became cheaper and more readily available, the development and popularity of desserts spread accordingly.
Some cultures do not have a separate final sweet course but mix sweet and savoury dishes throughout the meal as in
Chinese cuisine, or reserve elaborate dessert concoctions for special occasions. Often, the dessert is seen as a separate meal or snack rather than a course, and may be eaten some time after the meal (usually in less formal settings). Some restaurants specialize in dessert.

Josh Groban Live in Manila-October 17-18,2007



Finally ...

JOSH GROBAN Live @ PICC

October 17 gala night is a by-invitation-only event.Only 3000.00 will be for sale for the October 18 at the PICC Plenary Hall.tikets will be for sale in comming weeks

Wednesday, September 12, 2007

CHEERDANCE FEVER IS ON!



THE RIVALS

UST Salinggawi Dance Troupe
and
UP Pep Squad



UST 2002: http://www.youtube.com/watch?v=-XiX7gqFsR0&mode=related&search=
UST 2003: http://www.youtube.com/watch?v=H61b56IiTbQ
UST 2004: http://www.youtube.com/watch?v=MAgTF_8wdM4
UST 2005: http://www.youtube.com/watch?v=y1BgmoYK8W4
UST 2006: http://www.youtube.com/watch?v=zke00R2Ky34

UP 2002: http://www.youtube.com/watch?v=1AVeXohFs8w&mode=related&search=
UP 2003: http://www.youtube.com/watch?v=pUmDrL-l8fAUP 2004: http://www.youtube.com/watch?v=O1k8CLxkBGk&mode=related&search=
UP 2005: http://www.youtube.com/watch?v=R_5Wo_-HfYA
UP 2006: http://www.youtube.com/watch?v=qMEaucOJRys

FEU 2006: http://www.youtube.com/watch?v=4D4iV1pOW34

UE 2006: http://www.youtube.com/watch?v=nFlaTp_bNHA

AdU 2006: http://www.youtube.com/watch?v=PqBvv3nSOcE

ADMU 2006: http://www.youtube.com/watch?v=TSGOw9CTTrM

NU 2006: http://www.youtube.com/watch?v=zoCYthV1GpE

DLSU 2005: http://www.youtube.com/watch?v=3O6uO0BX9Ic


WHO'S IT GONNA BE THIS TIME AROUND?

statistics:
1st 2nd 3rd
1995 UST ? FEU
1996 UST FEU ?
1997 UST FEU ?
1998 FEU DLSU ?
1999 UP UST FEU
2000 UP UST FEU
2001 UP AdU UST
2002 UST UE UP
2003 UST UP FEU
2004 UST UP FEU
2005 UST UP FEU
2006 UST FEU UP
2007 ? ? ?
http://en.wikipedia.org/wiki/UAAP_Cheerdance_Competition


---------TRIVIA

1. The Zigzag Pyramid is Salinggawi Dance Troupe's trademark pyramid. It was introduced in 1995.

2. The Salinggawi Dance Troupe was first to use canned music for their dance routine in 2000. They also first introduced special effects (sound compliments) in 2002.

3. Since 2003, Salinggawi Dance Troupe started their music with a catching word or phrases: "Attencion" (2003); "Attention, attention... " (2005); "Are you ready to...?" (2006).

4. UST has annual cheerdance campaign: "The Real Champions are Back" (2002) for their bid to regain the title; "Back 2 Back" (2003); "Balik sa Naka-GAWI-an: Three-Peat for UST" (2004); "Roar 4 More" (2005) for their bid to get fourth straight title; and "Jive for Five" (2006) for their bid to get fifth consecutive win.

5. The Salinggawi Dance Troupe incorporated a "3-Man Propeller Toss" in their 2004 Cheerdance routine to represent their bid to get third straight title; the "4-Man Shuffle-Toss" in 2005 for their bid to get fourth straight title; and the "Superman Walk" in 2006 to bid for their fifth consecutive win.

6. John Lapus, a UST Alum, coined "This Sixth It" for the 2007 cheerdance campaign. Rumors has it that UST's campaign for the 2007 cheerdance competition is either "Kick for Six" or "This Sixth It".

7. In the early years of the competition, UP used to send the UP Filipiniana Dance Troupe as their representative until the UP Pep Squad was formed in the late 90's. As of 2006, the Salinggawi Dance Troupe is the only dance troupe in the competition (the rest are all cheerleading squads).

8. The UP Pep Squad won the competition in 1999 for the first time by incorporating folk dances and the Oblation, UP’s symbol of freedom into their routine.

9. UP Pep Squad was the first to wear pants (for both boys and girls) for their uniform.

10. The UP Pep Squad incorporated into their cheers for the ensuing edition their campaigns for a title: Go for FOUR (2002) for their bid for a four-peat and UP's back! (2003) for their bid to regain the title.

11. The year 2005 saw a three-peat lineup, with UST, UP and FEU copping first, second, and third places, respectively.

12. From 1998 to 2005, all teams were required to perform a special Nestle Non-Stop Cheer. This cheer was included in the criteria for judging and comprised 20% of their scores.

13. The panel of judges is composed of representatives from each participating university and representatives (usually three) from the major sponsor.

14. A judge is not to give a score for the school he represents. The highest and lowest scores garnered by each team is omitted and the remaining scores is averaged.

15. The criteria usually include choreography, synchronization, costume, and over-all impact.

16. The rules usually require teams to perform pyramids (one should be a 3-level), tosses, jumps and lifts.

~~
THE RIVALS MEET
~~
SEPTEMBER 16, 2007 .SUNDAY
ARANETA COLISEUM
3pm

USA-OJT GUYS!!!!!!!!


AHA PHILIPPINES
The AHA USA Internship Program
is an integral part of all diploma programs at AHA Philippines. For most of our students, this internship will be their first working experience in the global hospitality industry. The AHA Philippines's main point of competitive difference is our internationally renowned structured USA internship program. With 20 years of proven training experience, and in partnership with some of the most prestigious hotels and resorts in the United States, AHA provides students with the finest -- and most fun -- practical training program in the world. The fact that AHA works hand-in-hand with our host training properties both in the USA and in our host countries, guarantees that the success of this one-of-a-kind, once-in-a-lifetime experience will NEVER be left to chance!"We are guided by a shared vision of providing quality education and training in the field of hospitality. AHA Philippines is focused on culinary arts, as we envision furthering professionalizing culinary education in the Philippines, and the Asia Pacific region. Believing in the potential of Filipinos to excel in this field, AHA Philippines strives to be a medium whereby Filipinos inclined towards the Culinary arts and Hospitality Industry can be honed and developed to become professional chefs and Ambassadors of the Hospitality Industry."SERVICE BASICS The American Hospitality Academy has been providing comprehensive internships for hospitality students around the world for 20 years. More than 1000 students from 100 academic institutions in the United States and foreign countries participate annually in the Academy's training program. AHA works in collaboration with American-based hospitality businesses whose resort properties serve as practical training sites. In addition to practical training, a network of hospitality educators from prestigious universities around the world actively works with the Academy as global training partners.An established International Cultural Exchange Program, the AHA began providing structured training opportunities for students seeking a career in the hospitality industry in 1986. The AHA is designated by the United States Department of State as a sponsor of an Exchange Visitor Program in accordance with the administrative regulations issued under the Mutual Education and Cultural Exchange Act of 1961.

U.S. Interns(Others - U.S.A.)
Responsibilities:
The combined Service Basics and U.S. Internship Program is open to undergraduate and graduate students of hospitality and tourism who wish to further hone their skills and competencies through a one month course on Service Basics, which can be taken at AHA Philippines either on-line, or by residential mode, followed by a 6 month to 12 month practical hands on internship training in the United States, following the internship program of The American Hospitality Academy, USA. (Please refer to www.americanhospitalityacademy.com).
Internship could be in any of the
Following areas: front office, food service, and resort activities.
The AHA Philippines's main point of competitive difference is our internationally renowned structured USA internship program. With 20 years of proven training experience, and in partnership with some of the most prestigious hotels and resorts in the United States, AHA provides students with the finest -- and most fun -- practical training program in the world. The fact that AHA works hand-in-hand with our host training properties both in the USA and in our host countries, guarantees that the success of this one-of-a-kind, once-in-a-lifetime experience will NEVER be left to chance!
AHA USA Internship Components
Paid Internships in the United States at Premiere Hotel Companies
Furnished Housing, Utilities, and Transportation to and from training site and housing
SERVLEAD Internship Manual
Real "On the Job" Training
Training Plans and Competencies
Classroom Training on Leadership and Cultural Awareness
Passport to Culture Program
Community Service Involvement
Evaluations
AH&LA Certification
Depending on the training site the participant is assigned to, he or she will be eligible for either the Stipend program or the salaried program. Please note that the training location/partner hotel determines the program, and that the participant can only be eligible for one type of program, not both.
Under the Stipend program
A flat stipend fee of US$400 per month for the duration of the program, in addition to the above benefits.
Under the Salaried program
Aside from the above-mentioned benefits, a salary between US$8 and US$10.50 per hour depending on the number of hours they work, determined by the training site the participant is under.
AHA Partner Hotels include: Marriott, Hilton, Ritz Carlton, Westin, Starwood, Holiday Inn, Radisson and many premier vacation ownership properties. Please visit our Industry Partners page to view a full list of training locations.
Following is a list of estimated expenses a participant to the AHA USA Paid Internships program may incur (rates in US dollars). The participant is expected to pay for the following:
Program Fee $1,200
Administrative Fee $300
Insurance Fee (as required by US laws) approximately $45 for every month of Internship
(Exact amount depending on age of participant)
US Visa application $100
Roundtrip airfare to Training Site (exact amount depends on travel fees and training location)
Requirements:
Good communication and interpersonal skills.Ü
Positive attitude with a strong passion to provide excellent customerÜ service.
Well groomed with friendly and cheerful personality.Ü
Energetic, hardworking, self-motivated and a good team player with theÜ ability to multi-task.
Reserve a slot for our ORIENTATION (FREE OF CHARGE) held every Saturday at 10 AM. RSVP.You may call Chef Florence at 63-02-892-77-02or email them at
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fhassig@ahaphil.com.You may also visit us at AHA Philippines, 2/F Aguirre Bldg., 108 H.V. dela Costa St., Salcedo Village, Makati City.